Painting scenery – Grattage http://grattage.info/ Mon, 10 Jan 2022 23:09:16 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://grattage.info/wp-content/uploads/2021/11/icon-120x120.jpg Painting scenery – Grattage http://grattage.info/ 32 32 The punk Marie-Antoinette of the New York art scene of the 1970s https://grattage.info/the-punk-marie-antoinette-of-the-new-york-art-scene-of-the-1970s/ Mon, 10 Jan 2022 22:06:00 +0000 https://grattage.info/the-punk-marie-antoinette-of-the-new-york-art-scene-of-the-1970s/ Good that she symbolically died of a staple cut at the Whitney Museum in 1978, Colette is very much alive. Resurrected a few days later as Justine, lead singer of a newly formed group, Justine and the Victorian Punks (a collaboration with Peter Gordon’s Love of Life Orchestra), Colette recalls in a 2013 BOMB magazine […]]]>

Good that she symbolically died of a staple cut at the Whitney Museum in 1978, Colette is very much alive. Resurrected a few days later as Justine, lead singer of a newly formed group, Justine and the Victorian Punks (a collaboration with Peter Gordon’s Love of Life Orchestra), Colette recalls in a 2013 BOMB magazine interview with Katie Peyton that her performative death was a critique of artists often having to wait until their deaths to be recognized (which is particularly the case for women). And indeed, it is an indisputable fact that the Franco-Tunisian Colette Lumière is a seriously unrecognized artist, whose lasting importance on visual culture and the practice of performance has not yet been fully understood by the world of art. Before moving to Berlin in 1984, Colette was a prolific artistic personality immersed in the New York art scene of the 1970s, a punk Marie-Antoinette with a childish voice and fashion outfits. Working across a variety of media, while always emphasizing the performance of identity, her designs ranged from frilly dresses and punk t-shirts to sculptural installations, light boxes and shorts.

Colette Lumière, “Untitled” (nd), archival material

Before Tilda Swinton once slept in the glass box Cornelia Parker built at MoMA, Colette incorporated sleep as an endurance practice into several of her performances. Between 1972 and 1983, the artist created a gesamtkunstwerk by transforming her downtown loft into what she called a ‘living environment’, an immersive installation in which she herself is activated as a living sculpture. The current exhibition at the Company gallery, Notes on baroque life: Colette and her living environment, 1972-1983, curated by Kenta Murakami, takes the latter as its foundation. Entering Colette’s reconstituted living environment means entering a dreamlike world saturated with a palette of creams and light roses. Fragments of walls, light boxes, sculptures, clothing and objects, as well as footage from films and framed postcards, are spread throughout the gallery. In Colette’s world, the theatricality of Versailles meets the punk ethic of the Sex Pistols, and the silky ruched fabric is a signature material you can’t get too much of. The likeness of the artist is omnipresent; photographs are incorporated into most parts, and his image is featured in performance announcements and literature. A large sculptural installation entitled Notes of baroque life (1978-1983 / 2021), reconstructed from original elements of her living environment, centers a life-size doll sculpture by Colette, produced in collaboration with the artist from the Compagnie Cajsa von Zeipel.

For a decade that has seen a preponderance of conceptual art, as well as an emerging generation of imagery that has denounced the notion of authenticity even as artists returned to representation, Colette’s practice is simply radical. Her identity performance, portraying a number of characters in addition to Justine over the years, is combined with a deep dedication to materiality that is rare in performance art, by its nature fleeting form. The “baroque” element referenced in the title does not simply indicate extravagance and taste for dramatic lighting. What Colette shares with the Baroque movement is a brilliant ability to eliminate the border between art and life, between the space of the spectator and that of the work of art, creating a truly immersive environment.

Colette Lumière, “The Messenger” (1978-2021), fabric, photography, lights, plexiglass and mixed media
Colette Lumière, “Beautiful Dreamer Uniform Series II” (1980-84), mixed technique on linen
Colette Lumiere, Baroque life notes (1978-1983 / 2021), panels and ceiling from the original living environment, original lamp in Colette’s size, CRT monitor in Colette’s size, selections from Documents of the story of my life, rugs, mirrors, shelves, perfume bottle, Living Doll sculpture in collaboration with Casja von Zeipel
Colette Lumière, “Off the Wall (Hommage à Paul Delvaux)” (1974), fabric, photography, light and mixed media on wood

Notes on baroque life: Colette and her living environment, 1972-1983 continues at Company (145 Elizabeth Street, Manhattan) through January 22. The exhibition was curated by Kenta Murakami.

Students can register for a full residency in Portland, ME or a low residency from anywhere in the world. Apply by January 21 to be considered for a full scholarship.


If adopted, clothing or footwear companies that make more than $ 100 million a year would have to report their energy use, emissions, and supply information.


The long-term loan could “pave the way for a similar deal with an act of approval by the British Parliament,” said the director of the Acropolis museum.


“Staff have dealt with the most recent vandalism at Indian Head already, but most of the damage is, unfortunately, permanent,” officials at Big Bend State Park in Texas said.


Using magical realism and never taking the expected approach, Georgian director Alexander Koberidze asks viewers to pay more attention to the world around them.



Source link

]]>
Art film romance takes a rare transcendentalist point of view https://grattage.info/art-film-romance-takes-a-rare-transcendentalist-point-of-view/ Sun, 09 Jan 2022 21:00:00 +0000 https://grattage.info/art-film-romance-takes-a-rare-transcendentalist-point-of-view/ The title of What do we see when we look at the sky? asks a question without requiring an answer. The film has a wandering eye, but it doesn’t pay particular attention to the sky. During his unhurried two-and-a-half-hour span, he studies much of the Georgian town of Kutaisi – the sidewalk trades, the Rioni […]]]>

The title of What do we see when we look at the sky? asks a question without requiring an answer. The film has a wandering eye, but it doesn’t pay particular attention to the sky. During his unhurried two-and-a-half-hour span, he studies much of the Georgian town of Kutaisi – the sidewalk trades, the Rioni River, the life of stray dogs and most importantly the whereabouts of various children. The point is not to make you look specifically at the sky, but just to see. What will you see around you if you take the time to observe? The focus on children is essential; the director Alexandre Koberidze invites the viewer to adopt a childish point of view. Not childish, as in the immature or underdeveloped, but the childLike, open to the worldly wonder that surrounds us.

The cinematography, all filtered through a languid 16mm that emphasizes sumptuous summer yellows and greens, also encourages this prospect. The camera spends a lot of time studying people’s legs and feet. A recurring motif sees the characters introduced from the knees, before the next shot shows the rest of them. Even the main characters Lisa (Oliko Barbakadze) and Giorgi (Giorgi Ambroladze) first appear this way as they have a cute encounter, jostling each other and so distracted by their mutual attraction that they both take a wrong turn, moving away from their intended destinations. Their romance forms the backbone of the story – it’s not entirely fair to call it the whole story, as much of the film is devoted to his trips to the city rather than the development of their relationship.

From What do we see when we look at the sky?

This is because, again worthy of the childish spirit, this is not an ordinary love story, but a realistic and magical fairy tale. (This sensibility is reinforced by the fact that the film has much more voiceover narration, read by the director, than spoken dialogue.) Shortly after making a date, the “evil eye” fixes itself on Lisa. and Giorgi. Lisa is informed by a tree seedling, a surveillance camera and an old gutter that a curse has fallen on her, and she will wake up the next morning with a whole new appearance. The wind also tries to warn him that Giorgi will also change shape, but his voice is drowned out by a passing car. And so when Lisa (now played by Ani Karseladze) and Giorgi (now Giorgi Bochorishvili) tries to make their date, they don’t recognize each other. To make matters worse, they both have completely forgotten everything about their respective professions – Lisa is a pharmacist but doesn’t know anything about medicine, and Giorgi is a footballer but can’t even perform a simple kick anymore. The couple move into new, lower-paying gigs that are incredibly close to each other, and the film’s many day-to-day observations then unfold as we wait for them to reunite.

From What do we see when we look at the sky?

While various elements of a road junction coming to life to speak a character may seem random, it reinforces the general theme of the film of the relationship between a city and its inhabitants. This scene is also one of many featuring an extremely wide shot – a look not at the sky but from this. This again suggests that it’s not about answering the movie title question, but being in the know. Here the camera is a transparent eyeball, and it is like a rare example of cinema in the tradition of transcendentalism.

On paper this all might sound downright sickening, but What do we see when we look at the sky? sets up this overview of the fantastic in the ordinary without the slightest pretension. It’s one of the few movies that can be accurately described as unlike most, full of little moments that aren’t like anything we’ve been trained to expect. Take, for example, Lisa’s physical transformation. As the camera watches her asleep, the narrator asks the audience to close their eyes when a tone sounds, and to keep them closed until after a second tone. This is how the actors are swapped – no computer effects, but neither is it a simple fade-out transition from late night to early next day. Koberidze is asking for your participation in the idea of ​​the magic of the film. If you’re the type of person to cooperate with such a whimsical proposition, then this movie could be for you.

What do we see when we look at the sky? is now available to stream on MUBI.

For many people and organizations, restitution is only the beginning of a long struggle for cultural heritage and the right to remember.


The extensive collection, which includes pieces by Max Beckmann, Henri Matisse and Pablo Picasso, was originally amassed by a German art dealer looted by the Nazis.


The Governor of Virginia and the Mayor of Richmond have announced an agreement in principle to transfer the massive statue to the local Black History Museum and Cultural Center.


This week, a massive digital version of Rembrandt’s “Night Watch”, academics on Twitter, transgender and non-binary methods of art history, the immorality of diet culture, and more.



Source link

]]>
BossLogic celebrates comic book movie landscape with Spider-Batman fan art https://grattage.info/bosslogic-celebrates-comic-book-movie-landscape-with-spider-batman-fan-art/ Sun, 09 Jan 2022 16:20:28 +0000 https://grattage.info/bosslogic-celebrates-comic-book-movie-landscape-with-spider-batman-fan-art/ A fan-made illustration commemorates the comic book film genre by merging the icons of DC’s Batman and Marvel’s Spider-Man. Fan pays homage to evolution of comic book media with DC reuniting artwork Batman and marvel Spider Man. The image uploaded by graphic designer BossLogic features the fused logos of two of the genre’s most popular […]]]>

A fan-made illustration commemorates the comic book film genre by merging the icons of DC’s Batman and Marvel’s Spider-Man.

Fan pays homage to evolution of comic book media with DC reuniting artwork Batman and marvel Spider Man.

The image uploaded by graphic designer BossLogic features the fused logos of two of the genre’s most popular superheroes. The design sets out Batman’s signature bat motif as the basis for the overall artwork, combining its wings with the eight legs of the Spider-Man costume arachnid.

Related: The Batman: A Riddler Twist Can Subvert The Dark Knight’s Most Important Weapons

Fans of the Batman The movies have a lot to celebrate, as the Caped Crusader is set to once again grace the big screen in a new standalone film in Bruce Wayne’s second year of fighting crime. When a serial killer begins targeting members of Gotham’s aristocratic elite, Batman sets out to bring him to justice in a deadly cat-and-mouse game. The lone vigilante’s struggle to catch the villain ultimately leads him through the dark bowels of Gotham, where he is forced to forge new alliances and face a deep-rooted corruption that plagues his hometown.


The live-action movie stars Robert Pattinson as the Dark Knight, with Zoë Kravitz set to star as her rival and sweetheart Catwoman. The Bat and the Cat duo are featured in a number of promotional trailers, promising that their notoriously complicated relationship will be the focus of the next image.

Related: The Batman: These Joker Theories Have Been Refuted – For Now

Spider-Man’s third entry into the Marvel Cinematic Universe is another reason to rejoice among the comic book community, with Spider-Man: No Path Home earning $ 609 million at the domestic box office and ranking the 10th highest grossing North American release. Film finance experts predict the film is expected to generate an overall profit of more than $ 610 million after calculating production and marketing expenses, with Sony expected to take $ 457.5 million.


Following the success of the film, No way homeWriters Erik Sommers and Chris McKenna have said they are satisfied with the Tom Holland trilogy. “I think it’s a fitting ending if it’s got to end that way. You never know. ‘Oh, is Tom doing another one? Will we be one of them?’ At some point, we just have to keep an eye out ahead, ”McKenna said.

Spider-Man: No Path Home is now in theaters. The batman is scheduled for March 4, 2022.

Keep Reading: Spider-Man: No Way Home End-Credits Almost Featured The Main Returning Characters

Source: Twitter

Ant-Man in front of Quantum Tunnel and Bill Murray in a pink glow hat

Ant-Man 3’s Bill Murray confirms Marvel villain role


About the Author



Source link

]]>
showcase of African and African American artists comes to Prudential Plaza | Black Voices | Chicago News https://grattage.info/showcase-of-african-and-african-american-artists-comes-to-prudential-plaza-black-voices-chicago-news/ Sun, 09 Jan 2022 00:53:02 +0000 https://grattage.info/showcase-of-african-and-african-american-artists-comes-to-prudential-plaza-black-voices-chicago-news/ Unique collaboration brings black art to a popular Chicago building. This is the first such exhibit now taking place at One Two Pru, also known as Prudential Plaza, located in the Loop. It’s not uncommon to see art in downtown halls, but most of the pieces in this art exhibit are from Guichard Gallery, a […]]]>

Unique collaboration brings black art to a popular Chicago building.

This is the first such exhibit now taking place at One Two Pru, also known as Prudential Plaza, located in the Loop. It’s not uncommon to see art in downtown halls, but most of the pieces in this art exhibit are from Guichard Gallery, a black-owned art gallery in Bronzeville.

“The exhibit at One Two Pru is an introspection of Chicago and it covers everything from jazz to blues, energy, introspection and the landscapes depicting the Great Migration, so that’s all Chicago has. to offer, “says Andre Guichard, co-owner of the gallery. Guichard.

Sterling Bay and Galerie Guichard have teamed up to create this one-of-a-kind free art exhibition. The goal is to showcase black artists and bring their work to an audience that might not have been exposed otherwise.

“It’s all about inclusion,” says Frances Guichard, co-owner of Galerie Guichard. One Two Pru invited the Guichards to exhibit their work and pieces from their gallery, giving artists an exposure they wouldn’t normally have.

Sterling Bay Director of Diversity and Strategic Development Keiana Barrett says the idea came about as she reflected on how the real estate developer can play an active role in promoting and nurturing diversity .

“At this time last year, we were at a critical intersection with the peak of the pandemic as well as a calculation around race and social justice, and so we were really intentional about how we could use that. as an opportunity to spend a moment creating a movement for change, ”says Barrett.

The exhibition titled “African Diaspora: Chicago” features 20 acrylic collage and mixed media works, all related to Chicago. It opened in May and a new collection of coins just released in November. The current exhibition will run until May 22. The Guichards say they have already sold five of the 20 pieces presented in the exhibition. Sterling Bay and Galerie Guichard say they hope to capitalize on this new exhibit and spur economic growth in black-owned businesses and neighborhoods.

“We noticed more tourists coming from Bronzeville, looking at the gallery and we assume that they probably see it here first and can then come to the gallery,” says Frances Guichard.

For Sterling Bay, the collaboration with Galerie Guichard is the first in a long series.

“This is a signature initiative for us as well, and what we hope is that it will be the impetus for a series of collaborations like this, not only within our own portfolio of properties, but we want to set the bar across the industry, “says Barrett,” as we think and talk about diversity, I always say that meaningful and measurable diversity must make the word not just a noun but a verb, there has to be an action behind it.

The Guichards also hope that the exhibition can be a reminder of the power of art and the impact it can have.

“This is really our motto, see art, love art, buy art, live with original art and our artists in the African diaspora, multicultural artists are able to help us to a really important way in this time of COVID, “says Andre Guichard.



Source link

]]>
With ‘brilliance and vitality’, painter Phil Porter lit the suns in the sky of Madison | Local news https://grattage.info/with-brilliance-and-vitality-painter-phil-porter-lit-the-suns-in-the-sky-of-madison-local-news/ Sat, 08 Jan 2022 20:54:00 +0000 https://grattage.info/with-brilliance-and-vitality-painter-phil-porter-lit-the-suns-in-the-sky-of-madison-local-news/ Often he would produce 30-40 works for sale at the ARTS for ALL (formerly VSA Wisconsin) booth in Art fair in the squareScheibinger said. “He would paint a storm,” she said. “He had such a fan base. People lined up every year saying, “I have to take my porter. “ “There was such a synergy […]]]>

Often he would produce 30-40 works for sale at the ARTS for ALL (formerly VSA Wisconsin) booth in Art fair in the squareScheibinger said.

“He would paint a storm,” she said. “He had such a fan base. People lined up every year saying, “I have to take my porter. “

“There was such a synergy between his art and his personality,” Owens added in a telephone interview.

Porter preferred to use acrylic on canvas, Owens said. But his subjects often varied from the landscapes of the Capitol for which he was best known. Porter also loved to paint the nature, woodland scenes and landscapes of the UW Arboretum, Owens said, and he had “a great knack for using (tones) of greens to create depth of space with color layering. “. Some of his works were inspired by his family trips to places like Arizona.

Known for his vivid memory, Porter was “a walking encyclopedia of Madison’s geography and history,” Owens said.

He is survived by his sister Betsy Skszek and his brother and best friend Andy Porter.

Souvenirs

Porter’s latest work was an order for the Waisman Center, a Madison research center dedicated to advancing knowledge about developmental disorders and neurodegenerative diseases. The unfinished artwork shows the Waisman Building and will always visit the center, Owens said.


Source link

]]>
Mural by trans women portrays Love Grove sewage treatment plant in Mumbai in a whole new light https://grattage.info/mural-by-trans-women-portrays-love-grove-sewage-treatment-plant-in-mumbai-in-a-whole-new-light/ Sat, 08 Jan 2022 10:21:45 +0000 https://grattage.info/mural-by-trans-women-portrays-love-grove-sewage-treatment-plant-in-mumbai-in-a-whole-new-light/ Love Grove in Worli is all about seduction. Once a coveted vantage point for honeymooners to view the hills around town, the place is now the site of a great stink. It is home to large wastewater treatment plants – a crucial element in any polluting megalopolis – but the loss of its romantic connotations […]]]>

Love Grove in Worli is all about seduction. Once a coveted vantage point for honeymooners to view the hills around town, the place is now the site of a great stink. It is home to large wastewater treatment plants – a crucial element in any polluting megalopolis – but the loss of its romantic connotations has been deplored for decades.

In April 2021, Love Grove morphed into a vibrant street art site. Members of the Aravani Art Project painted a mural along the compound wall that spans Dr Annie Besant Road. It’s a sight for sore eyes and tired minds waiting at the crossroads.

Seven trans women from Mumbai and one from Jaipur painted the Love Grove mural and finished it in about a week. (Source: Aravani Art Project)

The Aravani Art Project is a collective of women and trans women involved in collaborative public art projects across India. Like their other murals, the Love Grove project is a series of portraits of people who frequent the neighborhood. Sadhna Prasad, co-founder of Aravani Art Project, describes the mural as showing “the daily life of the place”. They were invited by the public art platform St + Art India, which arranged the logistics, paintings and permissions for the mural.

“We celebrate every type of person that passes through the area. People find someone they can relate to on the mural, ”said Prasad. As artistic director of the project, Prasad designs the murals and makes distinct use of geometric patterns and bright colors. Geometric patterns make painting easier.

Seven trans women from Mumbai and one from Jaipur painted the Love Grove mural and finished it in about a week. Among them was Deepa Kathare (26), who was born in Worli and now lives in Colaba. She has been part of the Aravani Art Project for five years. Kathare, like many other members of the marginalized community, makes a living by dancing and giving blessings at ceremonies and celebrations, such as housewarmings and weddings. “Many know transgender people as beggars and dancers or sex workers, but they also don’t know that we paint. They are happy to see us do this, ”she said.

The Aravani Art Project is a collective of women and trans women involved in collaborative public art projects across India. (Source: Aravani Art Project)

The mural occupies an interesting space in Mumbai. The traffic intersection has roads leading to some of the town’s wealthiest elite homes as well as Worli Koliwada, home to indigenous fishermen who have challenged infrastructure projects on the coast. When designing the mural, Prasad recognized the communities that exist nearby. The fishmongers and fishermen of Koli are identifiable with their gold jewelry and unique caps. But, added Prasad, this does not mean that the other portraits in the mural, a woman with a handbag for example, do not have Koli roots – this is especially true of a fishing community that s ‘is diversified today in other professions.

“We do portraits, postures and clothes in the mural that people can relate to. It’s a mix of colors and locals, ”said Prasad. This is why the mural features portraits of police officers and a postman, made after the person delivering the mail to the sewage pumping station.

Prasad said: “The wall belongs to the people of the region. If they relate to it, they will protect it.


Source link

]]>
Christie’s offers the collection of Pierre Durand, co-founder of The Chinese Porcelain Company https://grattage.info/christies-offers-the-collection-of-pierre-durand-co-founder-of-the-chinese-porcelain-company/ Fri, 07 Jan 2022 22:50:00 +0000 https://grattage.info/christies-offers-the-collection-of-pierre-durand-co-founder-of-the-chinese-porcelain-company/ George II giltwood trumeau mirror inlaid with Chinese export inverted mirror paintings, circa 1760 Courtesy of Christie’s Text size The collection of the late Pierre Durand, collector and philanthropist who co-founded The Chinese Porcelain Company, will be offered at a live auction from Christie’s in New York on January 27. Comprised of 243 lots ranging […]]]>

George II giltwood trumeau mirror inlaid with Chinese export inverted mirror paintings, circa 1760

Courtesy of Christie’s

Text size


Source link

]]>
A Soldier’s Vision, Astro Masterpieces and Kazakhstan’s Treasures – Art Week | Art https://grattage.info/a-soldiers-vision-astro-masterpieces-and-kazakhstans-treasures-art-week-art/ Fri, 07 Jan 2022 16:33:00 +0000 https://grattage.info/a-soldiers-vision-astro-masterpieces-and-kazakhstans-treasures-art-week-art/ Exhibition of the week Marcus JansenVisceral paintings of a world gone mad by this veteran of the US military. Almine Rech, London, from January 13 to February 22 Also showing Turner in januaryJMW Turner’s swirling and luminous landscapes receive their traditional New Years Eve in Edinburgh. Who said there were no fireworks this year? Scottish […]]]>

Exhibition of the week

Marcus Jansen
Visceral paintings of a world gone mad by this veteran of the US military.
Almine Rech, London, from January 13 to February 22

Also showing

Turner in january
JMW Turner’s swirling and luminous landscapes receive their traditional New Years Eve in Edinburgh. Who said there were no fireworks this year?
Scottish National Gallery, Edinburgh, until January 31

Rana Begum
Paintings and installations that explore the nature of color.
Warwick Arts Center, from January 13 to March 13

Astronomical photographer of the year
Stunning images of the night sky that prove that anyone can create an astrophotography masterpiece.
National Maritime Museum, London, until August 7

Great Steppe Gold
With Kazakhstan currently in crisis, this exhibition unveils its long and rich history as a land of nomads before the Soviet era.
Fitzwilliam Museum, Cambridge, until January 30

Image of the week

Rhed’s Green Women. Photography: courtesy of Tanya Baxter Contemporary

It is a painting by the pseudonymous artist Rhed, who has exhibited in London since 2018 and whose work – inspired by Lucian Freud, Francis Bacon and Paula Rego, according to his gallery owner – has sold at five figures. This week, Rhed was revealed to be Rocco Ritchie, the 21-year-old son of Guy Ritchie and Madonna. Read the full story here.

What we have learned

Italy returns Parthenon fragment to Greece amid British ball dispute

Tracey Emin to launch ‘revolutionary’ art school in Margate

Crypto tycoons helped break global art market records in 2021

Tory minister wants law changed after Colston statue knockers in Bristol were cleared by court

Royal Academy to show how Francis Bacon created his own pervert mythology

AR Penck’s “democratic” painting, which made him an enemy of the East German Stasi, will be on display

Eminem would have paid $ 450.00 for an NFT of a bored monkey “Eminape” …

… but Melania Trump sells an NFT portrait of herself for just $ 180,000

Radical group Blk Art rocked Thatcher’s Britain

New York exhibit, Doomscrolling, explores our thirst to hear the worst

New evidence has been discovered that the Nazis used bogus auctions and paperwork to disguise their art theft

Wayne Thiebaud, famous for his paintings of cakes and pies, died at the age of 101 …

Pioneer British photorealist painter John Salt has died at the age of 84 …

and humanist photographer Sabine Weiss are also deceased

Masterpiece of the week

The sleep of reason produces monsters (n ° 43), according to Los Caprichos by Francisco Goya
Photograph: Beaux-Arts / Corbis / Getty Images

Francisco de Goya: The sleep of reason produces monsters (El sueño de la razon produces monstros) 1797 – 8
Made long before Sigmund Freud or surrealism, this etching plunges into the dark recesses of the mind. If this eighteenth-century Enlightenment man were awake, he would devote himself to his rational endeavor of improvement, as indicated by the book he collapsed into. But his sleeping psyche is populated by sinister creatures of the night who personify bestial passions and ungodly terrors. Goya created this profound image when the French Revolution degenerated into Terror, and with it hopes for liberal reform in his native Spain began to resemble vanishing dreams. Things would soon get worse when Napoleon conquered Spain, bloody resistance ensued and Goya witnessed real monstrosities. Here he shudders at what he feels is about to unfold in the twilight of sanity.
British Museum, London

Do not forget

To follow us on Twitter: @GdnArtandDesign.

Subscribe to the Art Weekly newsletter

If you do not already receive our regular summary of art and design news by email, please subscribe here.

Get in touch

If you have any questions or comments on any of our newsletters, please email newsletters@theguardian.com



Source link

]]>
Kelvin Harrison Jr. to star in Jean-Michel Basquiat’s new biopic https://grattage.info/kelvin-harrison-jr-to-star-in-jean-michel-basquiats-new-biopic/ Fri, 07 Jan 2022 02:56:41 +0000 https://grattage.info/kelvin-harrison-jr-to-star-in-jean-michel-basquiats-new-biopic/ Written by Jacqui Palumbo, CNN The short life and meteoric rise of artist Jean-Michel Basquiat will once again be told on the big screen in an upcoming biopic directed by Nigerian American filmmaker Julius Onah. Actor Kelvin Harrison Jr., star of the 2019 films “Waves” and “Luce” – of which the latter was directed by […]]]>

Written by Jacqui Palumbo, CNN

The short life and meteoric rise of artist Jean-Michel Basquiat will once again be told on the big screen in an upcoming biopic directed by Nigerian American filmmaker Julius Onah.

Actor Kelvin Harrison Jr., star of the 2019 films “Waves” and “Luce” – of which the latter was directed by Onah – will portray the Haitian and Puerto Rican visual artist, whose pioneering career has helped define the art of the East Village of New York. scene in the 1980s. The news was announced via a website for the film, titled “Samo Lives” in reference to Basquiat’s famous graffiti tag “SAMO ©”.

In a statement from the director to the site, Onah said he had been inspired by Basquiat’s life from a young age.

“It was amazing to find someone who boldly forged their own path in a world where most of those who did not fit the profile expected of a good artist had not been able to (i.e. whites and men), “Onah wrote.

Basquiat rose to fame as Warhol’s protégé, and their deaths two years apart shook the art world. Credit: Richard Drew / AP

Alongside his peers Keith Haring and Kenny Scharf, Basquiat became synonymous with New York’s art and nightlife scene before his death at the age of 27. His complex relationship with his mentor Andy Warhol continued to fascinate the art world, with books and exhibitions dedicated to their creativity. and personal dynamics.
At 22, Basquiat participated in the prestigious Whitney Biennial and in doing so became the youngest artist to represent the United States in an international exhibition of contemporary art, according to auction house Christie’s. It continued to have a profound effect on visual culture and the art market, with immediately recognizable iconography of skulls and crowns, and vibrant neo-expressionist paintings that regularly sell for tens of millions of dollars at auctions. .
The most expensive work by Basquiat to ever auction – and also the most expensive work by an American artist – is a 1982 “Untitled” canvas which sold for $ 110.5 million in 2017. His works have been collected by celebrities such as Alicia Keys and Swizz Beatz, as well as Jay-Z and Beyoncé. Last year, luxury jewelry brand Tiffany & Co. launched a campaign featuring the latter couple in front of a previously unseen painting by Basquiat, appealing to critical for the promotional context in which the work has been placed.
Since his death at age 27, Basquiat has become a favorite in the art market, with his paintings regularly selling tens of millions of dollars.

Since his death at age 27, Basquiat has become a favorite in the art market, with his paintings regularly selling tens of millions of dollars. Credit: Wiktor Szymanowicz / Barcroft Media / Getty Images

Although the life of the charismatic artist has already been adapted for film – artist and director Julian Schnabel’s 1996 take saw actor Jeffrey Wright as Basquiat, with David Bowie as Warhol – “Samo Lives” will be the first to be directed by a black filmmaker, as Onah pointed out in her statement.

Onah said he believed Basquiat’s story “hadn’t been fully told” on screen. “Never have we seen the full spectrum of Basquiat’s incredible life as a black artist and child of the immigrant African diaspora,” he said, adding that Harrison will bring “sensitivity and soul to the role” .

Kelvin Harrison Jr., pictured at the UK premiere of "Cyrano" last month, will play Jean-Michel Basquiat.

Kelvin Harrison Jr., pictured at the UK premiere of “Cyrano” last month, will play Jean-Michel Basquiat. Credit: Joe Maher / Getty Images for Metro-Goldwyn-Mayer Pictures & Universal Pictures

Harrison shared the news of his casting, first revealed by Variety, on his Instagram Account next to the caption “Same ol ‘sh * t” – the origin of the nickname Basquiat SAMO.

A long-awaited new exhibition of the artist’s work is also set to open this spring. Showcasing some 200 rare works brought together by the Basquiat family, “King Pleasure” will be on display at the Starrett Lehigh Gallery in New York from April.



Source link

]]>
The Prince of Wales “transported to another dimension” by painting Scottish landscapes https://grattage.info/the-prince-of-wales-transported-to-another-dimension-by-painting-scottish-landscapes/ Thu, 06 Jan 2022 18:30:25 +0000 https://grattage.info/the-prince-of-wales-transported-to-another-dimension-by-painting-scottish-landscapes/ A photo released by the Prince’s Foundation of Huna Mill, John O’Groats, as part of an exhibition of 79 Prince of Wales watercolors, which are on display at the Garrison Chapel in Chelsea, London. Photo: Prince’s Foundation / PA Wire Seventy-nine of Charles’ watercolors – the first complete exhibition of his work in the medium […]]]>
A photo released by the Prince’s Foundation of Huna Mill, John O’Groats, as part of an exhibition of 79 Prince of Wales watercolors, which are on display at the Garrison Chapel in Chelsea, London. Photo: Prince’s Foundation / PA Wire

Seventy-nine of Charles’ watercolors – the first complete exhibition of his work in the medium – are on display at the Garrison Chapel in Chelsea, London.

Atmospheric paintings depict Scottish landscapes such as the Huna Mill at John O’Groats and Glen Callater near Balmoral, and open-air scenes from Provence in southern France and Tanzania in East Africa – the one of the prince’s favorite places to paint.

Register to our daily newsletter

Newsletter cut through the noise

Read more

Read more

Long-awaited Afghan resettlement program grants residential leave to first family

Photo released by the Prince’s Foundation of From the Haughs, Glen Callater, near Tolmount. Photo: Prince’s Foundation / PA Wire

In a billboard, Charles reveals how the hobby “refreshes parts of the soul that other pursuits cannot reach,” and how he began painting after finding little pleasure in photography.

Of the therapeutic benefits, he writes: “You are becoming more and more aware of things that may have escaped your attention before – things like the quality of light and shade, tone and tone. texture and shape of buildings in relation to the landscape.

“All of this requires the most intense concentration and, therefore, is one of the most relaxing and therapeutic exercises that I have ever known.

“In fact, in my case, I find it transports me to another dimension that literally refreshes parts of the soul that other activities cannot reach.”

But he admits he’s “appalled” by the quality of his early sketches.

“I took to painting entirely because I found the photography less than satisfactory,” he writes.

“Quite simply, I felt an overwhelming urge to express what I was seeing through the medium of watercolor and to convey that almost ‘inner’ sense of texture, which is impossible to achieve through photography.

“I very quickly discovered how incredibly difficult it is to paint well in such a spontaneous medium, and the feeling of frustration at not being able to achieve on paper the image that your eye has presented to you is intense.

“Thinking back now to those early sketches I made, I am appalled at how bad they are. But, nevertheless, the great thing about painting is that you make your own individual interpretation from whatever point of view you choose.

He adds: “I have no illusions that my sketches represent great art or emerging talent.

“They represent, more than anything else, my particular form of ‘photo album’ and as such mean a lot to me.”

The exhibition, in the Prince’s Foundation exhibition space in the chapel, began before Christmas and reopens Monday for an extended period until February 14.

Rosie Alderton, exhibition curator for the Prince’s Foundation, said: “His Royal Highness has once said that he enjoys sitting in the real environment… his passion for creating fine art is strongly conveyed in this exhibition. .

Charles paints whenever his schedule allows and he usually takes his precious canvas and leather paint bag with him on royal tours in the hope that he will have time to do so.

His interest – nurtured by his master craftsman Robert Waddell at his Gordonstoun school – grew in the 1970s and 1980s as he was able to meet leading artists.

He discussed the watercolor technique with the late Edward Seago and received additional lessons from professionals such as Derek Hill, John Ward and Bryan Organ.


Source link

]]>