Jeannie Hulen’s ‘Gibberish’ solo exhibition as part of the ‘Arts On Main’ inauguration on March 12

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the Fulbright College of Arts and Sciences is happy to congratulate Jeannie Hulen on his new solo exhibition, “Gibberish: mineral bilateral stimulation”, open until March 31 at Arts on the Mainformerly the Center for Art and Education, in Van Buren.

Hulen’s installation is one of four inaugural exhibitions, which the Arts On Main website declares “validates the transition from the renowned Center for Art and Education to the new Arts On Main. The exhibitions include works of art written in traditional methods, forms and subjects, in concert with works of art that defy the norm.”

Arts On Main will also be hosting a celebration and grand opening of its new state-of-the-art facility at 415 Main St. from 11 a.m. to 6 p.m. Saturday, March 12 in downtown Van Buren. The free family event will include a ribbon cutting on Main Street, access to each of the galleries and exhibits, mimes, prizes and face painting, as well as musical, dance and theater performances.

The installation in Gallery C is part of Hulen’s ongoing “Gibberish” series, which she says “examines global environmental issues and visually investigates the complex and disturbing relationships between human beings and the natural world.”

Hulen, Associate Dean at Fulbright College and professor of ceramics at Art schoolcreates her sculptural ceramic and mixed media installations drawing inspiration from popular culture, industry and autobiographical research.

“I strongly encourage everyone to view this extraordinary facility,” said Todd Shields, Dean of Fulbright College. “Besides being a beautiful and moving experience, this exhibit also showcases my incredible colleague Jeannie in all her artistic brilliance. Since Jeannie is such a great administrator, I think people can sometimes forget what a talented artist she is. and creative, but this exhibition brings that to the fore in such a wonderful way.”

Hulen said her “Gibberish” installations “investigate the real and imagined qualities of materials, particularly clay, allowing the material to speak for itself instead of using materials to act as clues to the narrative. “.

This latest installation took Hulen and six assistants more than eight days before opening, including carefully suspending more than 11,000 small terracotta clay particles – each partially glazed in metallic gold and bronze – from hand-knotted individual copper wires.

Hulen said the particles create a floating river bed, which “mimics the real-world phenomenon of tiny clay particles absorbing water and forming the clouds and fog we see above us in the natural world”.

In addition to the river bed above, the installation includes more than 100 slip-cast rock objects made from mass molds, fake plastic rocks – the types used to hide keys and electrical objects in the courses – to create porcelain and terracotta clay display. Hulen fired the cone 10 porcelain using traditional high-fire glazes and low-fire unglazed earthenware like planters.

The porcelain boulder-like objects all sit on top, and the mirrored terracotta below, pedestals created from CNC-milled plywood, which Hulen says “reminiscent of tree rings, soil samples and the structural geology alluding to ridges in the landscape forming mountain-like plinths.”

“Conceptually, I’m commenting on the mimicry of nature by our mass cultural production with cheap materials, fake junk, which will one day end up in landfills,” Hulen said. “Ironically, replacing petroleum plastics with ceramic materials returns forms to a beautiful, natural rock-like state.”

The effect is something like walking through a natural landscape or a rocky landscape, with faux-real geological materials creating an enchanting yet surreal experience of the natural world.

Throughout her “Gibberish” series, Hulen has intended to sidestep overloaded themes such as environmentalism, she said, in favor of a “non-linear, fantastical stance that draws attention to less obvious aspects of the relationships between people and the natural world, including intellectual relationships”. , psychological and numinous facets of this symbiosis.”

Jane Owen, executive director of Arts On Main, told the Fort Smith Time Record that Hulen’s exhibit is the first of its kind for the center.

“We are thrilled that Jeannie Hulen has accepted our invitation for this exhibition,” said Owen, adding that the exhibition is also Hulen’s first in the region since 2013. “It will truly be a different artistic experience for our community.”

About Jeannie Hulen: Hulen has served as Associate Dean of the Fulbright College of Arts and Sciences at the University of Alberta since 2017. Her previous appointment was as Chair of the Department of Art, and as part of her administrative leadership she managed historic gifts from the Walton Family Foundation and the Windgate Foundation. – $120 million and $40 million respectively – for the establishment of a world-class art school at the U of A. His first appointment to the ceramics faculty at the U of A was in 2002. In 1995, she received a BFA from the Kansas City Art Institute and earned an MFA from Louisiana State University in 2000. She has exhibited internationally, including numerous exhibitions in conjunction with the National Council for ceramic arts education. In 2009, she was a resident guest artist at National Tainan University of the Arts in Tainan, Taiwan. She is currently conducting ongoing research on West Africa following her 2018-2019 US Fulbright Fellowship at Kwame Nkrumah University of Science and Technology in Kumasi, Ghana.

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